"Cameron: I pay attention to [the upcoming Terminator film] but I’m not terribly concerned about it one-way or the other. I’ve let it go. There was a point in time where I debated going after the rights. Carolco Pictures was failing and in bankruptcy and the rights were in play. I talked briefly to 20th Century Fox about it. At a certain point, I think I was finishing Titanic at the time and I just felt as a filmmaker maybe I’ve gone beyond it. I really wasn’t that interested. I felt like I’d told the story I wanted to tell. I suppose I could have pursued it more aggressively and gone to the mat for it but I felt like I was laboring in someone else’s house to an extent because I had sold the rights very early on. Basically I went from being a truck driver to being a filmmaker and part of my dues was that I sold the rights to The Terminator in order to keep myself attached as a director. And the outcome was fine. The rest of my career really hinged on that. But I no longer had control of it. I thought to myself why don’t I just create my own new thing that I’ll have control over the IP.
So I let it go and in the act of letting it go, I now have to live with the consequences of that — which is I can’t get too emotionally involved. Now having said that — when Megan Ellison bought the rights [to The Terminator], she asked me if I wanted to be involved. I said ‘Look – I don’t mind standing behind the curtain and whispering some court advisory in the 13th century type thing.’ My goal in that was not to insinuate myself artistically but to try to make sure they stayed true to the Terminator character and the idea of Arnold – he’s a friend of mine and we’ve been through all the wars together — I wanted them to see the possibilities I saw for what they could do with his character. And then David Ellison took the project over from Megan and he and I met a couple times. Arnold is very much front and center in the new Terminator films. So I might have had some tiny effect on it — but obviously they had to make the right financial and creative decisions themselves so I’m not trying to take credit for the film that they’re making but that was my goal for being loosely attached to the film."